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Had she been a prostitute right from the beginning, no one would have been shocked, she would just have been a whore, but she goes to the brothel by her own choice, to feel life, to feel herself. At the beginning for Lucy sex is an expression of the game, a useful tool to manipulate others, towards the end an expression of being. Provocation is not a self-purpose, but it sets free strong feelings in the viewer. If sex is a part of the story you can also show it.

One also shows people while eating. But my aim is not to provoke the viewer. I just want to show the moment, the only moment in which Lucy really is herself and not imitating a bed scene from the media. You have an own way of filmmaking and producing. The actors are often also involved in, other parts of the filmmaking for example editing, cinematography, script, production etc. You make your films without public funding and always with the same team.

How does this working method look like? Our films are created out of our willpower, but also thanks to spontaneous encounters during the production. From then onwards everything developed in an organic way. For example we met a man during the shootings wearing a Harley Davidson shirt. In film industry the trend is towards specialization. Many colleagues think there should be a division of the artistic, technical and administrative positions.

Creativity is not divisible but a holistic process. We are not a company that produces films, but filmmakers. Filmmakers make films.

And this is an integral process — an enjoyable one. Many actors often see themselves in a fulfilling position. They distance themselves with the argument that they are only actors.

For me acting starts to become touching when it is personal and authentic. An actor may achieve this more likely if he deals with the role and not being the creature of a god like commander. That is military, I make films. I rather see myself as a conductor who coordinates the soloists uniting them to a harmonious orchestra. We make films with a small budget, so that we can produce ourselves and therefore we have always the total authority of what we do.

We use our own equipment, and do everything ourselves from the production, the postproduction up to the marketing and distribution. So nobody can interfere and this gives us the freedom to be creative.

For me it is mainly about honesty, above all towards oneself. My character LUCY deceived herself and others for all her life.

Now the other two hold up a mirror to her, so that she realizes who she is, namely a false, horny, greedy bitch. This insight is not at all judgmental at first. Lucy is a person who, in the course of the film, realizes what she is and then first decides to live exactly this. In a majority of the films there is a character, the whore or the stripper or something like that, who regrets in the end and changes her life and gets married.

But that a woman consciously decides to work as a whore and is even horny about it, that is what makes Lucy to a very special character for me. It is her free and conscious decision and in the film it is nor judged nor approved … it is about the pure Being.

No, because first I trust Roland hundred percent as a director and second because I knew that the sex scenes were supposed to tell a story. That is why it was so important to me that my orgasms were real. Lucy defines herself through sex and the only moments in which she really lives, and not only enacts life, are in the orgasms. So I wanted these scenes to be as authentic as possible.



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